ART AND SCULPTURE PATTERNS IN CREATING STAGE IMAGES BY ANNA PAVLOVA

Authors

  • Таtiana Portnova The Kosygin State University of Russia

DOI:

https://doi.org/10.18223/hiscult.v11i2.3694

Abstract

This article is a comprehensive analysis of the development of Anna Pavlova’s creative art in a manner which enables translation of her physical stage roles into production of models and sculptures. The author considers formation and evolution of her creative style: individual performer’s artistic style, choreography manner and type or direction in Russian ballet schools, reflecting the system of thought of the nineteenth and twentieth centuries. Pavlova’s stage roles, not previously reflected in the literature, have been analyzed, a comprehensive scientific assessment and systematic review of choreographic images have been given in relation to figurative interpretation of the main character of the performance, wherein she acted as the artist-dancer-creator

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Published

2022-12-27

Issue

Vol. 11 No. 2 (2022): Múltiplas escritas da história: implicações das diferentes formas de representação histórica.

Section

ARTIGOS - LIVRES

License

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