História e Cultura (History and Culture)

A TRAJETÓRIA PÚBLICA DE MARIA DA CONCEIÇÃO DA COSTA NEVES POR MEIO DE REGISTROS PESSOAIS

Ana Carolina Reyes — 2024-12-26

O acervo pessoal de Maria da Conceição da Costa Neves que se encontra no Arquivo Nacional traz elementos que iluminam a história do período em que vigorou a ditadura militar no Brasil. A titular, que viveu de 1908 a 1989, teve forte atuação como deputada estadual de São Paulo, participando ativamente da oposição ao governo de João Goulart que deflagrou o golpe civil-militar de 1964. Seu acervo reflete sua atividade como deputada e é composto por documentação sonora e audiovisual. O presente artigo analisa a trajetória de Maria da Conceição da Costa Neves a partir de três fontes principais, com temporalidades distintas: o seu acervo pessoal, sob custódia do Arquivo Nacional desde 2009, sua autobiografia publicada em 1984, anos antes de sua morte, e o depoimento oral de Mônica Rocha da Silva Telles, sua sobrinha-neta, concedido em novembro de 2022. A análise das fontes contribui para conhecermos a história de vida da titular e também nos permite revelar interessantes aspectos da sociedade brasileira ao longo do século XX.

MEMÓRIA, ATIVISMO E VISIBILIDADE

Leandra Alencar Soares Lima de Passo — 2024-12-26

Activist Rosely Roth was a pioneering figure in the history of the Brazilian lesbian movement, especially during the military dictatorship, when the country was plagued by censorship, violence and deprivation of rights. In this sense, the aim is to recover Rosely Roth's legacy for the lesbian-feminist movement in Brazil, reflecting on her importance through records such as the ChanacomChana newsletter (1982-1987), from the perspective of academic studies and texts of other kinds that have portrayed issues of gender, sexuality, memory and lesbian and LGBTQIAP+ experiences at national level and through audiovisual materials. In this way, it was concluded that the research made it possible not only to highlight the life, voice and actions of a woman who contributed to lesbian visibility, but also aimed to provide debates about the political participation of women on the Brazilian scene.

DISCUTINDO NAÇÃO E GÊNERO A PARTIR DE FADWA TUQAN

Carolina Ferreira de Figueiredo — 2024-12-26

Abstract: This article aims to investigate the trajectory of the Palestinian poet Fadwa Tuqan based on her autobiography, Rihla Jabaliyya, Rihla Sa'ba, published in Arabic in 1985, in order to discuss the transformations of the Palestinian territory and population in the 20th century. Tuqan grew up in Palestine amidst the British colonial occupation and the presence of the Zionist movement, a process that culminated in the creation of the State of Israel in 1948. Thus, the article seeks to analyze how Tuqan constructs her personal history in her writings, paying attention to her reflections on social, political and cultural aspects of the reality of Palestine, focusing on her impressions on gender, politics and nation. Based on this publication, and the debates in the intellectual and historiographical scene, the article seeks to delve deeper into the implications of gender issues in national formation, crossed by the struggle for the liberation of Palestine.

Keywords: Fadwa Tuqan, Palestine, Nation, Gender, Autobiography.

MEMÓRIAS DE UM ETNÓLOGO AMAZÔNIDA

João Vitor Corrêa Diniz — 2024-12-26

Edson Soares Diniz (1934 - 2012) was an indigenous ethnologist amazonian, which was held at the Emílio Goeldi Paraense Museum (MPEG),, studying indigenous groups along the line of ethnic friction, contributing to studies at Brazilian and Amazonian anthropology. Throughout his personal trajectory, produced “memories of himself” recorded and evidenced in his personal archive, which this article presents the biographical aspects of his life and work. Documents connect his individual trajectory to collective memory, including records of institutions where he worked and/or studied, his dialog with fellow ethnologists, and materials related to his research objects. It is evident that by “archiving” his life, he produced not only records of himself but also memories of anthropological science in the Brazilian Amazon.

A BRIEF BIOGRAPHY OF CONRAD DETREZ (1937-1985)

Lucas Barroso — 2024-12-26

Conrad Detrez (1937-1985), a Belgian naturalized Frenchman, played a significant role in Brazilian history and culture, despite being little known. He participated in the resistance against the dictatorship and, after being tortured and expelled from the country in 1967, took refuge in Paris, where he became a writer and translator of Brazilian works, such as those by Jorge Amado and Antonio Callado. This study aims to narrate his multifaceted and underrepresented biography, highlighting his importance to Brazilian history and culture. This research utilizes qualitative and micro-historical analysis of public and private sources about his life and work, including his literary production and intellectual activities. The aim is to highlight his legacy, emphasizing his importance to Western history and culture, particularly in the Brazilian context.

MEMÓRIA (AUTO)BIOGRÁFICA E MEMÓRIA HISTÓRICA

Aline Saddi Chaves — 2024-12-26

Inaugurado em 2019, o Acervo Maria da Glória Sá Rosa, situado na Unidade de Campo Grande da Universidade Estadual de Mato Grosso do Sul (UEMS), é um lugar de memória com livros, revistas, diários e materiais audiovisuais, além de objetos pessoais da residência de Rosa. Neste artigo, buscamos compor um quadro da subjetividade de Rosa, com o propósito precípuo de relacionarmos sua (auto)biografia na confluência com a história de Mato Grosso do Sul, assumindo a indissociabilidade entre a memória (auto)biográfica de Glorinha e a memória histórica desse estado brasileiro, e a importância desse fator para a constituição do Acervo. Dois aspectos orientam este percurso: o acervo como coleção e a memória como instância dialética do tempo vivido e do tempo histórico.

Palavras-chave: Acervo, Coleção, Memória, Maria da Glória Sá Rosa.

MODESTO BROCOS Y GÓMEZ (1852-1936):

Miguel Lucio dos Reis — 2024-12-26

Based on the figure of the artist Modesto Brocos, this article aims to reflect on some issues that revolve around the trajectories of historical figures who touched on sensitive issues, such as debates about race. Naturalized Brazilian, Brocos was a painter at the turn of the 20th century and gained prominence for his painting A Redenção de Cam, a canvas presented to the public in 1895. The text initially goes back to the artist's life story, a biography that has been little studied compared to his contemporaries. It then addresses how the racial issue was mixed with the artist's trajectory, erasing part of his history and idiosyncrasies. Finally, with the aim of contributing to the historiographical debate on biographies, it reflects on scientific production in light of the questions of the present time in the presence of the past, a theme that historians have frequently addressed.

AS RELAÇÕES DE GÊNERO NO CAMPO DE CONCENTRAÇÃO DE RAVENSBRÜCK

Jadeane Matos — 2024-12-26

This article aims at analysing the autobiography of Selma Van de Perre, a Jewish woman, fighter of the Dutch resistance movement, survivor of the Ravensbrück women's concentration camp and victim of violence against women perpetrated by the Nazi regime. Starting from notions and concepts about autobiography, it is intended to propose an understanding about gender and highlight the possibilities of the narrative field for women. It is intended to use the autobiography for a case study of the gender experience in the Ravensbrück concentration camp, considered a camp that has limited records, among the sources of knowledge that elucidate its existence are autobiographies and testimonies. The study focuses on gender issues in the concentration camps, and highlights gender-based violence as a matter.

THE ROLE OF UPA/FNLA WOMEN IN THE ANTI-COLONIAL STRUGGLE IN ANGOLA: THE TRAJECTORY OF LUZIA MACUNGO

Nsambu Baptista Vicente — 2024-12-26

This article looks at the militant career of Luzia Macungo, an emblematic figure of the UPA/FNLA and the Angolan Women's Association (AMA) in the underground and in Angola's national liberation struggle. We want to publicise her unique experience, highlighting her contribution to the national liberation struggle. In this context, the choice of topic stems from the scarcity of studies on the women of this movement. Methodologically, we relied on oral and documentary sources. The results indicate that, despite the active participation of these women in the anti-colonial struggle, their role is still not recognised in historiography and in Angola's official history.

BANDEIRA NEGRA E CORPO NEGRO:

Danilo Freire Rodrigues — 2024-12-26

This article’s main objective is to rescue the story of four Brazilian anarchists and, racially, “colored”. Through these four biographical examples, this work demonstrates that it was not just European immigrant workers who were present and active in the revolutionary movements linked to the national working class: these four “colored” Brazilians – Eustáquio Marinho, Lima Barreto, Domingos Passos and Cândido Costa – they were anarchist militants in their own way, whether through the labor and union movement, or through the dissemination of ideals, criticisms, books, articles, etc. Furthermore, the history of these four libertarians belies the notion of “radicality” and revolutionary action attributed to European immigrant workers and of “passivity”, “acceptance” and “collaboration” attributed to the national working mass.

CLEMENTINA DE JESUS

Míriam Silva — 2024-12-26

This article proposes a comprehensive reading of the narratives about Clementina de Jesus (1901-1987), under the hypothesis of the person-poetry as a complex catalyzing center and radiating knowledge. Through the comparison of their biographies, profiles, chronicles, documentaries and archival materials, we understand the biographical study as a process of mediation and learning from experience, due to its narrative and pedagogical nature. The considerations point to the construction of a profile that suggests, from the life of Clementina de Jesus, a learning of dialogue with differences.

OS CONTINUOS DOS CHANCELERES

Frederico Ferreira — 2024-12-26

This article examines the professional careers of Braz José de Oliveira (1859-1935) and his son Braz José de Oliveira Júnior (1897-1974) as employees of the Brazilian State Secretariat for Foreign Affairs between 1885 and 1962. The study aims to analyze the professional careers of two generations of black people at the Itamaraty between the end of the 19th century and the first half of the 20th century, exploring the paths these individuals took in the functional structure of the agency. In addition, it situates this analysis in a broader context of the evolution of Brazilian foreign policy towards Africa, highlighting the different ways in which racial issues influenced their functional position and professional advancement.

TRAJETÓRIA DE VIDA, PRÁTICAS CULTURAIS E TRADICIONALIDADE DE UM PESCADOR NO PANTANAL NORTE DO BRASIL

Luciano Pereira da Silva — 2024-12-26

We propose reflections on the relationship between biography, oral history and culture in the Brazilian Pantanal through the narratives of Lourenço Pereira Leite, a self-declared third-generation traditional professional fisherman, from Brazilian Pantanal. Lourenço holds traditional knowledge and practices that are part of national and local identity. His life path enables us to comprehend the experiences of subjugated groups and genealogical aspects of indigenous and enslaved origins; to associate cultural practices with territory and engage in debates about social justice; to reflect affections, political circumstances and traumatic memories. Methodologically, the research on Lourenço's narratives highlights interdisciplinary relationships, based on information about ethnicity, gender, material culture and religiosity.

JOÃO FRANCISCO DE SOUZA AND LOURENÇO BORGES JUSTINIANO

Francisco Cancela — 2024-12-26

Recent studies have demonstrated the participation of indigenous people in the construction of an independent Brazil, mainly through the work of councilors, judges and captains-major in indigenous villages. Indigenous protagonism in this context was greatly favored by the expansion of political space and the politicization of indigenous leaders during the period of implementation of the Indian Directory, which ensured indigenous self-government, even though subject to a rigid tutelary regime guided by a program of “reform of customs”. This article recovers fragments of the life trajectories of two indigenous leaders involved in the process of independence in Bahia: João Francisco de Souza and Lourenço Borges. By describing and analyzing their actions, we seek to demonstrate the various forms of indigenous participation in the construction of an independent Brazil, highlighting the autonomous and proactive insertion of indigenous leaders in that context and demonstrating how the writing of short life trajectories can reveal, albeit in a fragmented way, the complexity of that process.

EURYDICE PIRES DE SANT'ANNA (1919 - 2015)

Davilene Souza Santos — 2024-12-26

O texto apresenta a trajetória de Eurydice Pires de Sant’Anna. Como bibliotecária, professora e diretora da Escola de Biblioteconomia e Documentação da Universidade Federal da Bahia, atuou em diversas frentes em prol da preservação da memória da saúde na Bahia e no Brasil. Além de ter exercido a função de secretária da Gazeta Médica da Bahia, no ressurgimento da revista em 1966, Eurydice colaborou com a biblioteca da Fundação Oswaldo Cruz, na unidade da Bahia, a qual possui o seu nome como homenagem. De natureza histórica, a pesquisa busca apresentar as contribuições da profissional, que permitiu a disseminação organizada dos números da Gazeta, por meio do Índice Cumulativo (1866-1976) e colaborou com a publicação da Bibliografia Brasileira sobre Doença de Chagas (1909-1979) e a Bibliografia Brasileira de Esquistossomose (1908-1970).

AVENTAIS SUJOS DE OVOS E MÃOS CHEIAS DE ESCRITA

Mariana Vogt Michaelsen — 2024-12-26

Female biographemes are inscribed on the yellowed pages of four copies of the cookbook Quitutes da D. ª Carolina Porciúncula: arte culinária, by Carolina Marcondes Porciúncula. Cooking recipes are exchanged between women and, therefore, female first names accompany the titles, demonstrating how this knowledge is engendered in the community. The return to the kitchen made by contemporary writers allows us to rethink and review cookbooks as a space not only for flavor, but also for knowledge and creation. The subjective choices in the writing or sharing a recipe make these women accomplished cooks, as well as woman with their hands full of writing.

ESSAY ON THE WRITING OF SELF IN THE CORRESPONDENCE OF ADEMAR VIDAL

Maria Joedna Rodrigues Marques — 2024-12-26

This essay proposes to analyze self-writing through the letters sent by the Paraibano intellectual Ademar Vidal to the intellectual Luís da Câmara Cascudo. We consider this type of source as a possibility to also analyze biographical perspectives, as they reveal personal nuances according to the perception of the self. For this, we used a set of epistles located at the Câmara Cascudo Institute (Ludovicus). Beginning with the initial correspondence in the 1940s, we highlight the letters sent in the 1970s and 1980s, a period of deep reflection and recollection, as the Paraibano intellectual was elderly. From Vidal's accounts, we can observe intellectual interactions, collaboration on projects, and the mutual recognition of these individuals within the intellectual sphere, with emotional bonds also deepened through the sharing of experiences, feelings, and confessions. In theoretical-methodological terms, we draw on the contributions of Malatian (2009), Bezerra & Silva (2010), and Foucault (2000).

Keywords: Self-writing, Ademar Vidal, Epistles, Biography, Paraíba.

FROM SHOESHINER TO LEAD ACTOR IN CENTRAL STATION: The Journey of Vinícius de Oliveira and Memories of the film

Ana Carolina Machado — 2024-12-26

This article explores the journey of Vinícius de Oliveira, a Brazilian actor who began his artistic career portraying the character Josué in Central Station. Its objective is to analyze the actor’s memories of the film and its impact on his life. The study pays particular attention to Vinícius de Oliveira's memory work about himself, seeking to understand how, by constructing his autobiography, the actor imbues meaning into his trajectory centered around Central Station. The text aims to argue that being one of the film's protagonists allowed Vinícius de Oliveira to redefine his life's path, as it was through this experience that the twelve-year-old boy living with his family in the Complexo da Maré in Rio de Janeiro transitioned from being a shoeshiner to becoming an actor. This work offers an approach to the memory of performing arts in Brazil.

“O LOBO EM PELE DE CORDEIRO E O LOBO EM PELE DE LOBO”:

Letícia Costa Marcolan — 2024-12-26

This article aims to compare the management styles of Antônio Soares Calçada and Eurico Miranda at Club de Regatas Vasco da Gama. The analysis draws from periodical sources such as O Globo, Jornal dos Sports, and Placar, alongside oral history interviews with key figures. Our findings suggest that Eurico’s portrayal as a combative leader, in contrast to Calçada’s conciliatory approach, played a significant role in his political ascension. Theoretical and methodological considerations propose a connection between club identity and the performance of sports leaders. In the case of Vasco, the prevailing identity of resistance justifies Eurico's emphasis on his confrontational side.

EDITORIAL

Alicia Panicacci Figueiredo — 2024-12-26

PRÁTICAS TRADICIONAIS DO FILÓ ITALIANO EM UMA PERSPECTIVA DE PERFORMANCES CULTURAIS

Sandra Beatriz Rathke — 2024-12-26

The aim of this article is to analyze the sociocultural relations of Italian filó based on the performance of Filó de Vila Flores, RS. It is based on a qualitative and exploratory approach, having as methodological fundament the analysis of cultural performances, which seeks to verify how filó traditions are symbolically represented and re-signified. It allows us to reflect on how changes in social structures transform ways of making and interpreting cultural identity elements for the maintenance and integration of groups. In this context, filós have taken on new forms, moving from family gatherings to community and tourist gatherings. These transformations can also be seen in the symbolic field, from the elements that make up cultural practices, reinforcing the myths of Italianness and the working Italian immigrant.

Shattered portrait:

Paulo Roberto de Carvalho Barbosa — 2024-12-26

José Sette de Barros is an independent director, linked to the generation of filmmakers post-Cinema Novo. His films are full of references to Brazilian’s history and literature, organized according to fragmentary montages, not very faithful to scripts. Three of his movies from 1970s and 1980s reflect the situation experienced by Brazilian society in those decades, astonished with the unfoldings of the military regime. This paper covers these films to analyze how their narrative discourse reverberates the historical context of the authoritarian years, composing a shattered portrait of the country under estate of exception.

A CARTOGRAFIA MEDIEVAL NO LIBER FLORIDUS DO LAMBERT DE SAINT-OMER

Jefferson Mendes — 2024-12-26

This article aims to explain the concept of globality in medieval cartography based on the encyclopedia entitled Liber floridus [Books of Flowers]. Lambert, Canon of Saint-Omer, was a French Benedictine monk (ca. 1061-1150) who studied theology, grammar and music and became known as a man of great erudition. He was chosen Canon of Saint-Omer, the name by which he is known today. The whole constitutes a very significant cartographic encyclopedia, completed around 1120 and made up of excerpts from around 192 different works, all the more so as it is one of the most important mappamundi and one of the most complete, representing a very useful link between ancient maps (Ptolemy, Capella) and the first maps of Isidore. In this treatise Lambert compiled a chronicle or history that goes back to the year 1119; contains several maps, including a mappamundi, which originally, like the text, has a date at least before 1125. Finally, the article proposes an analysis of the manuscripts that have survived to contemporary times: the manuscripts from Ghent, Wolfenbüttel and Paris. As a methodology, the idea of globality in medieval studies of the History of Global Art is used.

A NOVA DIREITA INTERNACIONAL ENTRE O FASCISMO CLÁSSICO E O NEOFASCISMO METAPOLÍTICO

Francisco Vasconcelos — 2024-12-26

O presente texto consiste em um ensaio com o objetivo de analisar disputas conceituais sobre o fascismo a partir das discussões sobre a nova extrema direita e suas ramificações internacionais. Pretende-se demonstrar que o argumento de Umberto Eco (2018) a respeito do “fascismo eterno” é passível de utilização desde que passe por uma adequação analítica, em cotejo com as contribuições de Roger Griffin (2006), Robert Paxton (2007) e Ruy Fausto (2022). Busco sedimentar o argumento acima proposto por meio de uma análise crítica do livro de João Eigen, O Fascismo como ideologia e a revolta totalitária (2023).

Perpetrations and implications in the “gray zone”

Samuel Torres Bueno — 2024-12-26

In recent years, there has been emerging the "turn to the perpetrator," and this area of research can be characterized by two aspects. The first refers to the many ways in which perpetrators (understood in a broad sense) can be represented. The second concerns the exploration of the "grey zones" in terms of Primo Levi (2004) and what Michael Rothberg (2019) has termed "implication." We suggest that although the above-mentioned concepts address indirect or less perceptible perpetrations, there is a notable difference, as the formulation of the latter author would have a broader scope. The aim of the article, then, is to present some of the burning issues related to this field, privileging debates on the representation of victims in documentary.

OS “EXCLUÍDOS DA CULTURA”:

Andressa Braz — 2024-12-26

This research investigated the institutional view of outsourced employees in the scientific dissemination practices of the Museum of Astronomy and Related Sciences (MAST). From the category of outsider within, by Patricia Hill Collins, we debate how these workers are made invisible in the workplace by the nature of their functions and by the social relations that produce exclusions and hierarchy. By observing a practice of non-inclusive scientific dissemination, we see in this a reinforcement of the process of invisibility found in MAST. We emphasize, however, that this does not inhibit the production of their own senses and meanings about the museum by these workers, revealing different perspectives on the institution and how it is seen in its scientific and social dimension.

A MEMÓRIA HISTÓRICA DA INDEPENDÊNCIA E A TELEDRAMATURGIA

André Luis Bertelli Duarte — 2024-12-26

The article interprets the ways of the historical memory operates in the elaboration and circulation of television cultural products, more specifically historical soap operas, based on two television dramas produced about the process of political independence in Brazil and shown on open television: O Quinto dos Infernos (Carlos Lombardi, 2002) and IndependênciaS (Luiz Fernando Carvalho, 2022).

ELBA RAMALHO AT ROCK IN RIO

Davi Miguel de Souza Santos — 2024-12-26

The interpreter Elba Ramalho built her career associated with the cultural signs of the Northeast. Active in the music market since 1979, she is conventionally associated with June festivities, but has not allowed itself to be limited by conventions. Interested in destabilization, she has been considered the “great sensation” of the first edition of Rock in Rio in 1985. This text aims to analyze the presence of the performer at the rock festival in 1985, in which she would participate four more times, and the meanings of this fact for an artist conventionally associated with the June festivals of the Northeast. For these purposes, we use hemerographic, audiovisual sources and referential bibliographies of History and related areas.

“LA BARBARIDAD NO ES TANTA”

Bruno Stori — 2024-12-26

The present article consists of a discussion on racialization discourses of the “Tartars” in the 17th century based on the Novus Atlas Sinensis (1655), an atlas of China made by Tyrolean Jesuit Martino Martini. Through an analysis of the ethnographical descriptions present in the atlas (in which habits and phenotypes of different East Asian societies are detailed), we point out the author’s attempts to minimize the barbarity and violence attributed to groups coming from Manchuria, who at that time had invaded China and established the Qing dynasty. We propose that Martini effectuates a process of racialization of the Manchus (here called “Tartars”), based on geographic, cultural and environmental criteria that demonstrate the malleability and heterogeneity intrinsic to the narratives of categorization of human populations before the emergence of the “modern” idea of race.

THE RELIGIOUS FACTOR OF CLIMATE COMMUNICATIONS

Olena Shevchenko — 2024-12-26

The article examines the influence of the Christian church on the international and national public regarding the settlement of global climate challenges and the church's climate communications from the Middle Ages to the present. Utilizing comparative and literary analysis of both historical texts and contemporary scientific papers, the study explores how these religious institutions have engaged with and influenced public discourse on global climate challenges. The findings underscore the significant role that religious institutions can play in shaping responses to climate change, leveraging their moral and ethical frameworks to foster community involvement and support for sustainable practices. The authors conclude that both the Catholic and Orthodox Churches recognize the scientific consensus regarding the anthropogenic cause of global climate change and actively participate in overcoming climate challenges.

AS MULHERES DA DINASTIA CONSTANTINIANA NAS OBRAS DE JULIANO, AMIANO MARCELINO E FILOSTÓRGIO

Thaís de Almeida Rodrigues — 2024-12-26

BIOGRAFIA E HISTÓRIA:

Patricia Ladeira Penna Macêdo — 2024-12-26